Halloween

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I had some paints I wanted to play with, Silks Acrylic Glazes and Pebeo Prisme Fantasy. Some of it worked, some of it didn’t.

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I found some nice flat cardboard in my stash, and decided it had to be postcards. I cut four, and will use the rest later.

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I started out with a coat of gesso, then some Silks in Wine and Roses and Azurite. So pretty.

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I used Versafine to stamp this raven from Inkadinkado. Since I got it a little too high, I added a Hampton Arts banner. After three tries. Getting it upside-down the first time. Let us never speak of it again.

Clear embossing powder came next. I was hoping it would act as a resist.

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I read the directions on the Pebeo, and realized it required turps to clean up. Then I thought, hey, I’ll just use a disposable makeup sponge! Did you know? I always get paint on my fingers. Luckily, alcohol worked well enough on my skin. The layer wasn’t thick enough to get the paint’s effect, and of course the embossing didn’t resist it much. I ended up buffing it with a baby wipe. It actually looks pretty cool, though next time I would just use something water-based, like Lumiere.

I also took a cotton ball (because there was one sitting on my table for no reason), and went over the edges with more Wine and Roses.

Then I kinda got involved and stopped taking pictures, because I am a goob.

I wanted a little more color and contrast, so I used the Silks again–Persimmon for the banner and Chestnut Brown for the wreath. I painted them then pressed a tissue over the paint to pull most of it back.

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The bird was an issue. It ended up with five different layers of three different paints on it. In the end, I’m okay with it. It had a base of Lumiere black mixed with Golden black, then many attempts at dry brushing with Lumiere white and Golden white, then finally a very watery wash in black.  Oof.

Overall, I like the look, and would like to try again with different paints, and a better idea of direction.

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BONUS!

USCB has released their library of cylinder recordings from the turn of the 20th century. It is way cool. Only one thing comes up for Halloween: “The Halloween Dance.”

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I picked up a mess of Tim Holtz Facets at Tuesday Morning for cheap, and I’ve been wanting to play with them. For this pendant I used:

  • Tim Holtz Facet, small round
  • Red handmade paper from Daigo Japan
  • Fab Lab Autumn Craft decoupage paper
  • Studio G bat punch
  • A Wink of Stella brush
  • Golden Fluid Matte Medium
  • Sakura 3D Crystal Lacquer
  • QuickStik
  • Distress Ink, Black Soot
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I always forget something in supply pics. This time: Distress Ink.

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To make my bats a little sparkly, I applied a couple coats with my A Wink of Stella brush. I love this thing.

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While that was drying, I ran a pencil around the Facet on my background paper.

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Using Distress Ink and a dry brush, I created a fairly deep vignette, so it would still be visible despite the strong facets on the pendant.

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Tissue paper doesn’t play nice with punches. You can make it behave by punching it along with a piece of plain paper. Then you verrrry carefully separate the paper from the tiny tissue shape. I punched out three bats, and made sure they were sparkle side down.

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I coated the entire back of the Facet with liquid matte medium.

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QuickStik is extremely handy for picking up tiny things. I placed the bats sparkle-side-down on the back of the Facet. I had to hold the bat down with the tip of my pencil and carefully lift the QuickStik, as the hold was a bit strong for itty bits of tissue.  Once the bats were arranged, I gently went over them with matte medium. Be careful not to move the bats around. Like I did.

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Making sure there was plenty of matte medium on the back, especially on the edges, I turned the pendant over and pressed it to the background tissue within the penciled guidelines.

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Working quickly, I applied matte medium to the back of the pendant, over the tissue, making sure everything was covered. With a damp fingertip, I carefully pressed the tissue, rolling my finger toward the edge, to eliminate any bubbles.

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I love how the back turns translucent. Now, wait for the pendant to dry completely. COMPLETELY. If you trim early, you’ll rip the tissue. Like I did.

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Okay, now you can trim. It’s easiest to do this right-side-up. Trim right up to the pendant edge.

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I applied a coat of 3D Lacquer to the back. I like this stuff because it’s very tough, and dries clear. I could have done a dome effect, but I like the thin coat better. It looks all artsy.

Add a jump ring (included with the Facets) and a cord, and you have a pretty sparkly bat pendant!

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I have a rule about insomnia: after an hour of worrying about clowns eating me, I get up and do something. Last night, the clowns wanted to play with shrink plastic.

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Usually, I’ll use #6 plastic containers for my shrink film. This time, I wanted a white background, so I headed for my small stash of commercial sheets.  Everything except for the cat is stamped in StazOn Jet Black.

I used four stamp sets:

  • Mindscapes Halloween by Inkadinkado (pictured above)
  • Halloween Hauntings by Tattered Angels
  • Trick or Treat by Studio G
  • Beware by Studio G

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When I first stamped the cat (Tattered Angels), I had the hole by the tail, and it was so long it curled completely over and fused to the body. Oops. I went to re-stamp, and discovered I was out of white shrink plastic. I decided having a black cat would be cute, so I got out the White Opaque StazOn. I was right, it’s way cute.

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Once everything was shrunk, the blank backs looked sad, so I grabbed a damask stamp from Great Impressions.

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Now they’re as pretty on the back as the front. That’s an idea I’ll be going back to.

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Time for beads! Maybe. I was originally going to go lazy, and use stretch cord, but it wouldn’t work with the beads I wanted, so I rethought…

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…and ended up building a charm bracelet from jump rings. It won’t be the strongest, so I’ll have to wear it carefully.  At this point it’s about 2:00am, and I probably shouldn’t be trying to put together patterns from recalcitrant bits of metal.

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This looked good, but ended up being four inches long. Sigh. I took it apart and re-designed, and got a decent start before I fell over at 3:00am.

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Yay! All done. I managed to get the “Trick or Treat” charm on backwards, but hey, it wouldn’t be me if something wasn’t cockeyed.  I absolutely love this thing. I’m keeping it forever and ever. Or until I catch it on something and the jump rings separate.

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Yay! Halloween! Here are some crappy pictures of my entryway vignette. I managed to knock over the tree this year, but luckily, none of my more precious ornaments were broken. It’s now being held down by a brick.

We actually got FIVE trick-or-treaters! Totally a record in this house.  The second batch asked where the good houses were, and I just happened to know, because–AND I COULDN’T FREAKING BELIEVE THIS–it turns out we are just a few streets from a seriously Halloweenie neighborhood. I saw a sign today for a haunted house. I followed it through our community, Peridia, and through to the next one, Fairfax. It was like night and day. Every house had some decorations, and many had a bunch. And yes, someone had set up a haunt in their garage. It was the most Halloween I have seen in Florida, and it’s right next door!  I wanted to go set up a booth, just so we’d get more ToTs.

But all things considered, I was pretty thrilled with the five we got.

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I’m feeling much better!

But I still lost several days blogging. 🙁  Gonna try to make up for it as soon as I can, but in the meantime, I direct you to Artful Evidence, where you will find a series of seven wonderful Halloween card videos. I’m definitely swiping some of her ideas.

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One of Rachel’s. I may make something similar–love this technique.

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Sorry for the posting break! I got knocked on my ass by a brief flu bug. I’ll try to catch up on my cards soon.

I made this card before everything went pear-shaped. I adore this stamp from Paper Parachute via Donna Downey Studios. It’s one of the new things I bought this year. So is the little bat seal and the sealing wax, which came from Letterseals. I love how this turned out, and I learned a couple things. One: it takes a lot of wax to cover a twine knot. Two: Sealing wax loves to catch fire! That’s how I ended up with all the wax splatters, but I like them, so it’s all good.

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Spooky atmospheric prop shot.

We attended our first haunt of the season last night. I heard about the Vault of Souls on a facebook group I follow, and it sounded intriguing. I couldn’t resist grabbing reservations and heading to Tampa for the evening.

Our reservation was for 6:00pm. We hit traffic and arrived at 6:15pm, but they were running a little late, so the doors were just opening. Not unusual, especially for the first run. We left our car with the valet, and after a few minutes in line, we were ushered into the front part of the lobby to present our tickets. There we received a credit-card sized “passbook” that I expected to present at some point.

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The Spousal Unit gets the bizness.

Once processed, we had our auras cleansed by a witch before entering the lounge. She took her job very seriously.

She just kinda noodles in minor keys.

She just kinda noodles in minor keys.

The Vault is located at the Exchange National Bank building, erected in 1926. It’s a lovely space, with high ceilings and plenty of room to mingle amongst lovely vintage furniture pieces. The lounge includes a bar, and servers circulating with hors d’oeuvres. Melancholy cello music sets the mood, and occasionally dancers take the floor.

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I think she had a crush on my man.

There is a tarot reader, and Mysteria the Psychic, who will come hold hands with you and deliver messages from beyond, like “open all the drawers, you may find something useful.”  Just about everyone picked on the Spousal Unit. It’s like they were all cats, and they sensed he was allergic.

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Your name is on my list, yesiree.

We waited in the lounge until 8:00pm.  About every 10 or 15 minutes, the gatekeeper strikes his gong several times, and announces about five names. Those folks gather, are given time to use the facilities, and then head to the preliminary vault where they are given white masks to wear, and further instructions on spirit etiquette.  The Spousal Unit got in trouble for the first time here. He talked back (to be fair, the guide said something kinda stupid), and had to go stand against the wall.

I won’t go into detail on what happens beyond that. You are taken to the basement and allowed to wander at will. You’ll meet many characters, and they will interact with you very personally. The actors will touch you, but not in any way that’s particularly scary. The Spousal Unit was extremely indulgent, and no one drew back a stump.

Us with Buddy the Bouncer.

Us with Buddy the Bouncer.

Once you’re tired of wandering around, find your way out and you’ll be taken to the Speakeasy or the Reading Room. We visited both. The Reading Room had a lovely dessert table, and lots of couches where you can unwind. The Speakeasy was more of a bar, complete with personable bouncer.

So what did I think?

Well.

First, the wait in the lounge was nuts. We arrived 15 minutes after the doors opened, and waited 90 minutes before entering the haunt. There was very little entertainment, and I was desperately wishing for a book. I can only guess that later reservations didn’t escape until the wee hours of the morning. This could have been first-night problems, but it genuinely seemed like they overbooked the reservation slots.

Now, I’ve never been to a truly expensive haunt before. This was a big splurge, at $100 per ticket. And that was the least expensive option. So I had expectations. I wanted a coherent story, some good scares, great costuming, great makeup, and maybe even some special effects or unusual props.  I’d hoped there might be a puzzle or mystery to solve.

I got none of that. Well, I’ll give them nice period costuming, but nothing out of the ordinary.

The whole thing seemed like one huge missed opportunity. I never even used that fancy passbook we got at check-in. Just an expensive souvenir.

I will say that the actors were fantastic, and very entertaining. But each time we entered a scenario, there was interaction, setup, and…nada. I kept thinking, oh, they’re gonna try to scare me now…but no.  It’s dark! Something’s going to happen! No.  I don’t need jump scares, but I do expect some art. Usually at a haunt, no matter how humble, I have to stop and wonder at some fantastic prop, monster, or scene. While the scenes were realistic enough, I found them lacking interest.  By the end of the experience, instead of thinking about the good bits with glee, I was just happy to be done. We left at about 9:00pm.

Apparently, what you’re paying for are amenities. Valet parking. Two bars and a dessert lounge.  So if you’re into live theatre, and want an interactive experience in a creepy setting, this is great. Grab some friends and go. But if you’re a Halloweeniac who expects something scary…have a cocktail.