A Month of Spookdays

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When I saw La Pêche Fraîche’s Orange, Chocolate, and Vanilla Swirl Cookies, I had to give them a try. I shortened the name to be less descriptive and helpful. Mine have a little more orange color in real life, but not much. I’m okay with that, but there will be more food coloring next time. I halved her recipe, and still got six dozen cookies out of it. My measurements:

Vanilla Dough:

  • 1 stick butter
  • 1/2 cup sugar (I actually used a sugar substitute called Whey Low)
  • 3/4 tsp salt (she uses Kosher, which is coarser. I didn’t have it on hand, so I reduced the salt a little)
  • 1/2 egg
  • 1/2 tsp vanilla
  • 1-1/2 cups flour

Orange Dough:

  • 1 stick butter
  • 1/2 cup sugar
  • zest of one orange
  • orange food gel
  • 3/4 tsp salt
  • 1/2 egg
  • 1/2 tsp vanilla
  • 1-1/2 cups flour

Chocolate Dough:

  • 1 stick butter
  • 1/4 cup brown sugar, unpacked
  • 1/4 cup sugar
  • 3/4 tsp salt
  • 1/2 egg
  • 1-1/4 cups flour
  • 1/4 cup cocoa powder

To mix, I followed her directions to the letter, even setting a timer.

Orange zest and sugar

Orange zest and sugar. Pretty!

I noticed that the vanilla dough was not quite as moist as the orange, perhaps because of the oils in the zest.

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Mmm…chocolate

But then the chocolate was also extra-moist. *shrugs* All of the doughs were very workable.

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Vanilla getting wrapped for the fridge

I dutifully put the dough in the fridge for at least 30 minutes. I’m so glad I’ve become more patient in my old age.

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Patty cake. Sort of.

Here’s where I start to diverge from La Pêche Fraîche. Florida is very, very humid. At the moment, it’s been raining for a week, and is even more humid than usual. That means the dough is going to be somewhat sticky. Thing is, you don’t want to flour the board or roller, because you want those layers to stick together nicely. My solution was to put down a sheet of Press ‘n’ Seal, sticky side to the counter, and pat out the dough instead of rolling. This actually gave me a lot more control over the shape of the dough, so I was able to make neat rectangles. Patting out also made it much easier to push cracks together. The slabs were about 1/4″ thick, and measured about 6″ x 7″.

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Measuring up

Nice thing #1 about using the Press ‘n’ Seal: you can see if the slabs are the same size before you put them together.

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Nice thing #2: it’s really easy to pick up the top slab and lay it on the bottom slab, then peel off the Press ‘n’ Seal from the top.

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Roll a bit, pull the plastic out of the way. Easy!

Nice thing #3: the plastic makes it really easy to roll the slabs together. I was able to keep them tight with little effort, and I didn’t have to worry about cracks.

I used that same plastic to wrap the roll and put it back in the fridge for another 30 minutes.

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Once they come out, it’s a good idea to slice the whole roll (if you’re using all of it), then put the slices on the parchment-lined pan. That way the dough doesn’t get warm and squishy while you’re futzing with individual cookies.

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And I totally futzed, but only a little, neatening edges and making them more round. You’ll notice that mine are more swirls than spirals, like the original. This is probably because I did half batches, so my length of dough was shorter. I suppose I could have made the rectangle thinner and longer, creating fewer, but larger and swirlier cookies.

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The cookies have a delicate flavor, and aren’t too sweet. Definitely an adult treat. The texture is similar to shortbread. Yum.

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me n dolly grim

Happy October! As usual here at Spooky Moon, I’ll be presenting a month full of crafts and spooky links.

This year I’m trying something different. I’ll be posting inspiration pieces, and then showing you what I did with it.

Today’s inspiration comes from the fantastic Grim Visions:

Dolly from Grim Visions

Dolly from Grim Visions

While there will be detailed tutorials this month, this entry is more of a ride-along.  In part because I kept forgetting to take pictures. What I used:

  • Doll (from stash)
  • Celluclay
  • Cernit
  • Fabric, lace, and trim (from stash)
  • Fusible webbing
  • Acrylic paint

I didn’t want to make something life-sized, so I got out my Box O’ Dollies, and found something more my scale.

gv dolly 01

Off came her hair (mostly), and her wee head got covered in Celluclay.  As I was hollowing out the eyes, I discovered that the doll’s head got turned while I was covering her, as there was a bunch of hair at the bottom of the eye. Oops! I trimmed it down further and moved on.

gv dolly 02

I have an almost-full bag of Celluclay, and as I worked, I remembered why. It’s like sculpting canned tuna.

Key shapes: The proportions are intentionally out of whack to increase scariness. There is almost no chin, and the mouth comes to a point. I didn’t think there was a nose at first, but looking at more pictures, there is a very simple, triangular shape.

The original doesn’t have a brow ridge, but I decided to put one on mine. I kept it very smooth, in keeping with the feel of the piece. Not adding too many details is hard! At least there are cracks on one side of the face. Here she is, all moist from the first smoothing.

gv dolly 03

Here’s her initial paint job. I decided she wasn’t smooth enough, so I added a coat of medium matte gel over the top of the paint. After this, I again deviated from the inspiration by adding some antiquing.

gv dolly 05

Next: teeth!  I did a lot of experimenting here, trying to make teeth out of various glues and bits of plastic. Nothing gave me enough control. I finally decided on Cernit, which is a very strong and flexible polymer clay, with great translucency. I didn’t need to paint the teeth. Even that had a little trouble with such tiny points, but I’m happy overall. They got stuck in with hot glue, again, after trying half a dozen different things. I’m going to call the strings a feature. To hide some of the glue line, she got lips, sort of. I think they add to the creep factor.

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Around this time, the Spousal Unit walked into my studio and saw my inspiration image on my worktable. “Holy crap, you’re not going to make something like that, are you?” I point to the drying bench. “Jesus Christ, why would you do that? You’re not right.”  This is how I knew I was on the right track.

Time to dress Ms. Grim. I had an old lace something-or-other I’d picked up at a garage sale. It had a liner, and nice trim.

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I made a pattern, of sorts. I have never made a doll dress, or a dress of any kind. I have certainly never tried to make a pattern.  I had planned on sewing, but I realized the hems I needed were too tiny for my skills. So I used fusible webbing. Then I thought, hey, let’s use fusible webbing on everything!

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I did end up making a few stitches by hand to reinforce things, but the webbing worked pretty well. As for the pattern, well, the results were…interesting. Note there’s no picture of the misshapen under dress.

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After the fusible webbing was no longer helpful, the hot glue gun came out. I love my hot glue gun.

A bit more lace, a bit more trim, and Ms. Grim was ready for her close up. No stand, I just stuck her foot in a glass bottle.

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I think she’s at least as creepy as the original. Sure, the dress is inept, but those teeth are pretty great.  Dolly Grim says: “Sweet dreams.”

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What I learned: glue the doll head in place first.

Raffle status: Yes, despite it being kinda delicate, Dolly Grim will be in the raffle. So you can see the, er, “dress” up close.

My most popular project

My most popular project

As those who follow me on facebook know, I started this year’s Month of Spookdays back in August. I’ve been a little meany, dropping teasers into my Monday art posts here. Tomorrow, you get to start seeing the fruits of my labors. I had some goals this year:

  • No new supplies. I have a studio full of wonderful odds and ends, and I wanted to dig into them for this MoS. If I bought something for a project, I’ll note it; otherwise, you can assume everything is from my stash.
  • Stretch. I am drawing inspiration from others this year, so I can stretch my skills and do new things. Not every project will be a big one, but I hope each one teaches me something new.

Craft projects will be interspersed with haunt visits and such. I’d especially like to do some spooky cooking. Welcome to the Haunting Season, and happy Month of Spookdays!

lanterns

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So I had this dream (WAIT, DON’T STOP READING, I’LL BE BRIEF) full of dead people. So much so that when I woke up I had to check on Nathan Fillion. Phew! That’s the thing about getting older–the folks that die on you live forever in your dreams. It’s okay–kind of nice to have a visit. So I’m teasing my Grandpa Leo about his Betamax tapes, and looking around my grandparents’ house. On a shelf, I see that Grandma has received a bunch of handmade Halloween cards from relatives. OMG I AM SO FILLED WITH ENVY. This envy did not fade upon awakening.  I decided I must contrive a way to get me some Halloween cards.

So here’s the thing.

I’m making a bunch of stuff for this year’s Month of Spookdays. I cannot, and do not, want to keep it all. Some stuff will be too delicate or otherwise impractical to mail, but just about everything else: out da door! But how to decide where it goes? I know–let’s have a show! Just kidding. Let’s have a raffle! To enter this raffle, you must send me things. Because I am greedy, and my grandmother didn’t even like Halloween, so WHY SHOULD SHE GET THE DAMNED CARDS?!   On Halloween, when all the projects have been posted, I shall draw. The first name out gets first choice of stuff. Second draw, second, and so on.

Do I only want handmade Halloween cards? Heck no, though that would be awesome. Just send a card. Greeting card, trading card, drawing on a napkin, I do not care. All I care about is that it’s spooky and/or Halloween themed.

Does this mean that only people who send me cards will get stuff? That depends. I expect about three people will send me a card, so those three people will get first choice. I’ll probably still give stuff away to my friends after that. But if lots of people send cards, my friends are out of luck. Hear that, friends? Better bribe me, just in case!

In a nutshell:

  1. If you want to participate, leave a comment with a good email address, telling me you’d like in on the raffle, and I will send you my mailing address. The world will not see your email address, only I will.
  2. Send me a spooky and/or Halloween themed card of some type. I will cut off entries on October 20th (EDIT: I decided this deadline is nuts–I don’t need that long to organize things. New deadline: October 29). Note: YES, I WILL POST YOUR CARD ON SPOOKY MOON. Keep that in mind when you send me a vampire penis.
  3. Everyone who sends a card gets their name in the hat. On October 31, I will post a list of the available items, and start drawing. This part will be slow, since the drawee must choose an item before I can draw the next. If someone doesn’t respond in a reasonable amount of time, I’ll move on to the next person. I will try to nag responses out of folks as quickly as possible.

Yes, this means you won’t get your Halloween stuff for this Halloween. But c’mon, you’re reading this blog. Do you seriously put your Halloween stuff away after October?

I am footing postage for the items I send out, so don’t worry about that. It is my gift to you. In exchange for a gift from you.

Blame Grandma.

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stuff5

Last night was spent wandering the 6th annual Festival of the Skeletons at Bradenton’s Village of the Arts. Each artist in the village created a shrine to someone special. The main shrine was dedicated to Frida Kahlo. There were a couple of other Kahlo shrines, a few Lou Reeds, and many dedicated to family members.

In the slideshow at about 1 minute in, you’ll see some work by Tim Cuervo of Time Traveler Incognito. I want the skull with the hat.

The yard was a little lame this year, but I’m okay with that. We spent the last several years in apartments, so all my yard props were long gone. I’ll do better next year.

This was all for one family with three kids. But to their credit, everyone was dressed up–even the dog!

Next year I’m hoping for a graveyard to go with the scarecrows, and I need to hack those clowns so they are no longer sound activated. Sound activated is stupid.

cemlogoperfect

I love home haunts. They were rare in Oregon, but Florida is a little more Wild West about these things, so you get more home-grown spook shows.

We arrived at Cemeterror an hour after they opened. They only let in about four people at a time, so there was a wait, but it wasn’t onerous. The line was entertained by belly dancers set in a circus-themed yard. It was apparent right away that the proprietors were more builders than buyers. While there were store-bought items mixed in, it was obvious that Donald Spera likes to make things.

Themed after a burned out circus, the star of the show is Zelda the fortune teller, and you’ll meet her right away. And that’s all I’m gonna say about the inside of the haunt, except: whoa, fog! The actors and costumes were great, and the set pieces were very good. Absolutely a top-notch home haunt. I wish I had time to go to all the local home haunts this year, but I’ll get a few more in next year.

I definitely recommend getting out to Cemeterror if you can! Admission is free, but donations for Juvenile Diabetes are encouraged. Be careful where you park, as the neighbors are understandably touchy about having their driveway blocked.

The Haunted Ranch

The Haunted Ranch

It’s exciting to have a whole new set of haunts to explore in my new home. Our first stop was the closest, The Haunted Ranch, in Bradenton. The picture is of the ticket booth and surrounds. The Ranch has food, an outdoor movie theater (plus a smaller one for kids), face painting, and a long haunted trail.

I think in a few years, when they’ve had a chance to build a stock of props and buy more lighting, this will be a great home haunt. Right now, the trail takes about 45 minutes to walk, and much of it is dead space. If they cut the trail in half, they could concentrate their props and actors for some great scares.  Most of the lighting is provided by the occasional tiki torch. It’s very dark, and the ground is uneven, so it pays to move very carefully.  Lighting was my biggest beef with the haunt. There were props, but no lighting to see them by. They used a couple of strobes, which is a big no-no in such an environment.  The place is popular, so I hope they’ll be able to invest some of their ticket sales into next year’s event.

The actors were teenagers, and obviously having a great time, though a few were disappointed they couldn’t scare me. Hardly their fault, as they were well made up and doing a great job.  They did give the Spousal Unit a few startles. There were some great bits–a cemetery with graves lit from underneath, and a nice spiderweb walk through. The haunt has the potential to shine eventually, and I’m looking forward to seeing it grow.

Yep, still watching movies.

Director: So our dream cast is Julian Sands, Brigitte Bardot, and Joan Collins.

Producer: That’s fantastic! Did you get them?

Director: Oh, hell no. They wouldn’t get near this crap. I went to the corner cafe and picked up some people who look kinda like ’em.

Producer: Can they act?

Director: Is that a trick question?

Producer: Okay, what about the story?

Director: Well, people do things for no reason, and there is a moat, and there are boobs, and a gun!

Producer: Let’s go!

There are a few kinds of horror I don’t get into. This covers two of them: the so-bad-it-must-be-on-purpose, and the avant-garde. Fascination starts out with a thief taking shelter in a chateau. Wait, no, there was a slaughterhouse, but I’m going to try to blank that out with therapy. Anyway, the house is abandoned but for two hot chicks wearing too much makeup. He ineptly threatens them with his tiny gun (no entendre, it’s a ridiculously nonthreatening gun), followed by some seriously unarousing girl-on-girl, followed by, oh hell, I have no idea. Knives and robes and things. I couldn’t stand much more. Boobs.

 

“Charming” isn’t a word I usually use to describe horror movies, but it fits The Inkeepers, at least in the beginning. Luke and Claire are working the desk at The Yankee Pedlar Inn, during its last weekend. With few guests to bother with (and they don’t bother much, anyway), they are spending their time looking for the ghost of Madeline O’Malley, who hanged herself after being jilted on her wedding day.

Luke and Claire are great characters, clearly drawn through their interaction. There’s an attention to detail in the direction and performances that tells without over-telling. I love that. Luke is a skeptic, not really believing even though he’d like to make some cash from a website about the hotel’s ghosts. Claire wants very much to believe, but she’s also scared witless by the whole thing. You can only laugh when they get drunk and do the thing you never do in horror movies: go in the basement.

Where The Inkeepers misses is in the conclusion. I don’t mind some mystery, but this was a case that needed explanation. The teasers were set up, but little came from it. I still enjoyed the movie, but it didn’t satisfy my need for closure. Definitely interested in seeing other movies by the director, Ti West.

 

The Moth Diaries was adapted from the book by Rachel Klein. The trick with adapting a book to film is to create a visual story that can stand on its own, no homework required. I was left baffled by this film because we never really find out what’s going on. There are more loose ends than not. Inexplicable actions, scenes, emotional setups. All of this was no doubt covered in Klein’s novel, but it never made it to this pretty but disappointing film. The synopsis intimates that the “villain”, Ernessa, is a vampire. The movie treats her more like a ghost. We see bits of the ghost’s history through–what–hallucinations on the part of the protagonist, Rebecca? I found the whole thing unconvincing.

 

Daniel has been missing for seven years. His wife, Tricia, is declaring him dead in absentia.  Her sister, Callie, stays with her to help her cope and move to a new place. But is Daniel really dead? A mysterious tunnel, and a history of neighborhood disappearances convince Callie something else is going on.

Absentia was a pleasant surprise. Set in LA, the casting passed on the glitz and went nicely real. The film looks good on an indie budget, but don’t expect special effects. This is about the visceral scare–the thing lurking in the dark.

Two glitches: the writer doesn’t know what a “lucid dream” is (it’s when you’re aware you’re dreaming), and it’s painfully obvious they couldn’t afford a composer for the music. Despite that, this is one I would definitely recommend. The writing is tight, the performances good, and the direction and photography tell the story with art, but without gimmickry.