Drawings, sculpture, and digital art, all with a spooky edge.
Even cheerful subjects emit an air of menace.
See more at her DeviantArt gallery.
Spent yesterday cleaning, so today I thought I’d post a flashback to the my first Month of Spookdays, in 2011.
These Felted Pumpkins were a blast to make. I gave them away just last year as part of my October raffle. The post includes step-by-step photos. I love needle felting, but mostly I do pictures, not 3D modeling, so this was a nice change.
The bonus on that post is good, too. Think I’ll share it again:
I’ve been wanting to play with my Gelli Plate for ages, so I finally got it out. Then I remembered why it had been a while. For some reason, I get stuck when I’m trying to use it. I’m rarely happy with my results, and just feel like I’m burning through prodigious amounts of paper. So I did what I often do when I’m stuck: follow directions. Gelli Arts is one of my favorite Youtube channels. They have a hell of a designer, and I always find their videos inspiring. I decided this video on making transfer film with packing tape looked like fun (seriously, go watch–it’s cool), so I followed along, copying as closely as I could. I loved the results, so naturally, I had to do it again–with skulls.
I used my Dyan Reavely Skulls stencil, and followed the video again. I used all mica powder on the background of these. You can’t see it well here, but they have a great shimmer. I think the bottom strip is my favorite–the yellow bits are the mica powder.
So what to do with this sparkly largesse? Just so happens, I have a ton of pre-cut ATC paper. I even have some that is leftover from other sets, so it already has pretty backing.
I started by cutting the strips and attaching them with some gel medium. Of course I goobed–see that one with the smudge? I actually put that on sticky-side UP. Which is the wrong way. So I had to cover it with gel so I wouldn’t get mica powder everywhere. We’ll see how it turns out.
Next, I used light molding paste to apply a spooky stencil.
The paste and paper areas get a light wash of color. I love how this brings out the texture of the paste.
Shimmery paint, either Lumiere or Silks, is added just to the stenciled shapes. Because I didn’t want to lose the texture, I blotted the paint back.
Here’s the set, and I’m pretty pleased with them! I like the contrast of the slick Gelli Plate art and the organic molding paste.
Here is the last of the series, with a thoroughly gruesome poem snippet. Heh.
Supplies:
- Golden Soft Gel, Matte
- Docrafts Lace Paper, Midnight Blush
- Golden Gesso
- Golden Acrylic, Red Oxide
- Golden Acrylic Glazing Medium, Satin
- Dylusions Ink Spray, Black Marble
- Lumiere Paint, Pearl White, Halo Violet-Gold
- Golden Acrylic, Carbon Black
- Dyan Reavely Skulls Stencil
I lovelovelove the way the lace paper turned out. I may have to go looking for more of that.
































