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mb votive final light

Note for garage sales: always buy the cheap box of mystery crafts. I looked briefly and spotted a few beads. She wanted $5 for the whole thing, so I glommed it. The biggest prize inside was a whole lot of Makit & Bakit crystals, in a dozen colors. I hadn’t worked with these things since I was little. In fact, I remember doing it once, then never again because oh, the smell. You know, the one they say is “not offensive in a well-ventilated area.” Gah. But I’m all grown up now, and I have a craft oven in a room with a fan.

As soon as I knew what I had, I went trawling on Pinterest to see what others had done. There wasn’t a whole lot, but these luminaria caught my eye:

Sara vs. Sarah: Makit-Bakit Inspired Halloween Luminaries

Sara vs. Sarah: Makit-Bakit Inspired Halloween Luminaries

We’ll make a smaller version for votives. NOTE: do not use an actual candle with these, as the plastic is flammable when hardened. Use one of those little electric votives.

You will need:

A bunch of Makit & Bakit crystals (They are plentiful on eBay)
Glass or metal round object, about 7″ around
Aluminum foil
A small piece of corrugated or heavy cardboard
Cookie cutters or silicone candy molds
Electric votive candles
Bone folder or something similar
Tight fitting gloves, like latex

First, find yourself a roller. It needs to be a bit bigger around than your votive.  I measured my small bottle with a string.

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Use this measurement to cut a template from your cardboard. My bottle is 7″ around, so my template will be 2″, for height, then 7″ for length.

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Tear off enough aluminum foil to give several inches of clearance around the template, times two. Fold the foil in half, and fold the edges over so it stays together well. Place the template in the middle.

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Pull straight up on the top edge of the foil, holding the template so it doesn’t move. You are using the template to form a mold out of foil.

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Pinch the corners of the foil as you go around, lifting each side. You may want to fold the corners over so they don’t stick out so much.

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Make sure your corners are neat and your new mold has firm lines. Run your finger around the outside edge lightly.

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Remove the template from the foil. Yes, this is going to mess things up a bit, but we’ll fix it. Push the sides in gently, while running a non-sharp object around the inside, like a bone folder. You can’t see the hand on the outside, because I was taking the picture. You are creating a smooth channel along the edges, to prevent the plastic from wicking up. This will give you neater edges.

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Your mold is ready. Carefully move it to somewhere near whatever oven you’re using. You don’t want to be carrying your unbaked masterpiece across a room. Preheat your oven to about 375°-400°. I say “about” because I used a craft oven, which doesn’t really get up to 400°, so I made do.

Build your design from the bottom, as that will be the front of the votive sleeve. You need very thorough coverage, about ¼” of crystals. I’ve put yellow in the center, amber around it, then white on top of the whole thing.

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DESIGN OPTIONS:

You can have a solid background color, put lines or spots of contrasting colors, and even put shapes to go behind the piece you will fuse on. Keep in mind that the crystal colors do not really blend. If you put in red and blue, you will get mottled red and blue with a touch of purple.

1. Place a small cookie cutter where you would like it on your mold, and put in crystals. Hold down the cookie cutter while you fill the rest of the mold, so it doesn’t move. Lift the cookie cutter before baking. This creates an indistinct shape. I used this technique to create the moon behind the bat.

2. Bake your shape first (we’re getting to that), and put it down in the mold. Fill the rest of the mold with crystals up to the level of your shape.  This is how the luminaria from the inspiration project were done. The shape won’t be sharp, but it will be sharper than method 1.

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To make the foreground shape, you can use a silicone mold or a cookie cutter.

TO USE A COOKIE CUTTER: cover the top of a strong, flat surface, like a pan or a tile, with aluminum foil. Place your cookie cutter on the foil and fill ¼” with crystals. Do not remove the cookie cutter to bake. The plastic will pop out easily once cooled.

TO USE A MOLD: I buy silicone candy mold sheets during the Halloween season, then cut them into individual molds. I use them for all sorts of things. Put your mold on something bakable so it won’t fall through the gaps in the oven rack. Fill it to ¼”. Keep in mind that if your mold has extra surface details, they will be lost during the fusing process, so you want something with a distinct shape.

I’m using a pumpkin candy mold here. I put some brown around the edges and in the stem, then covered everything with orange.

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With both your foil and shape molds, be sure to gently push crystals into the corners and nooks.

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Before you start baking, I recommend opening windows, turning on fans, anything you can do to ventilate the area.

Carefully transfer your pieces to the oven. Pretend you’re handling nitroglycerin. Depending on how hot your oven is, baking could take anywhere from 30 minutes to more than an hour. I recommend checking every 20 minutes. It’s done when it’s no longer lumpy.

Let things cool for a few minutes, and remove them from their molds. The edge of the rectangle is unlikely to be completely smooth, as that’s the nature of the medium, but it looks pretty darned good!

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This is what happens with a straight-sided mold–the plastic wicks up the sides a bit. That’s fine, the fusing process will take care of it.  NOTE: Those jagged bits are sharp. I speak from experience.

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DESIGN OPTION: If you’re using a mold with surface details, such as a skull with facial features, you can fill those features with a contrasting crystals, and bake until melted–usually about 20 minutes. If your mold is symmetrical, I recommend flipping your piece over and putting it back in the mold to keep the edges sharp. Use a pair of tweezers to add crystals. The plastic may wick up a little, but it will melt down again during the fusing process.

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Flatten your aluminum mold, and trim the ends so they are just longer than your baked piece. Do not cut this too close–you want to be able to see what you’re doing when you roll the sleeve, but you don’t want the plastic melting in to your oven.

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Place your shape nice-side down on your mold. Put it where you would like it to end up. In my case, I’ve centered the pumpkin.

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Place your rectangular piece over your shape, pretty side down. Carefully move everything back to the oven. This part goes fast–so be watching! I use the three or so minutes to put on latex gloves, so my hands are a little more heat resistant. You will need dexterity, so bulky gloves won’t cut it. You also might want a potholder handy.

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This is what you’re watching for. The sleeve has slumped over the shape, and they are now fused. Take out your piece, and get ready to work quickly. Use care–this is hot stuff!

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Use your bottle or can or what-have-you to roll up your votive sleeve. Hold the plastic to the roller using the foil, as it should be cool enough. Watch the edges to see that you’re sleeve ends are lining up.

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To tighten up the sleeve ends (though they probably won’t meet), I’m using a little piece of silpat to pinch the ends together. You can use a potholder to do this.

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Once everything is rolled, hold it for about 30 seconds. If you take your hands away and the ends move apart, hold it together a little longer.

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Remove the foil and slip the sleeve off the roller. All done!

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Raffle status: yup, I’ll be sending these off.

mb votive final dark

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There are a ton of pumpkin dioramas out there.  I’ve been wanting to try one with my spare craft pumpkins, and finally got around to it.

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Here’s the bare pumpkin. I refuse to pay full price on these. I suspect this came from Target for a few dollars. The actual Funkins that craft stores sell are crazy expensive.

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Rough cut on the opening. I plan to use the cut out piece as a base, tilting it toward the front to create a “stage.” I later regretted this–it ended up crowding the pumpkin and obscuring things. I tell you this so you also do not think this is a good idea.

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I wanted the background paint job to look like twilight. Sorta worked. First us of my new airbrush.

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Next, I hot knifed the opening to add scrolls. I like this bit a lot.

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Yes, it happens I have a Dremel bit that is exactly the right size for string lights to fit snugly. A purple string will light the sky.

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Long time followers may remember these tiny tombstones from a few years ago. I love these things, and wanted to give them a starring role.

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I cut squares to fit the tombstones’ supports so they could be more solid before gluing, and so they could be positioned slanted back a ways.  After I had those spots planned, I drilled small holes in front of each stone, plus more for the upcoming tree, for orange string lights.

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Winding armature wire together to make a spooky tree.

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Wrapped the tree in washi tape. It’s wonderfully flexible, so I can bend it way down to put things in the pumpkin, then pose it in place. It will also be wired with some orange lights.  In hindsight, I wish I had wrapped the tree in something brighter, as it kind of disappears in the final piece.

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Some final touches on the pumpkin; the edges of the opening get gold paint.

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The outside gets an almost-dry rub of gold paint on a paper towel.

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Stones and tree are in place. Orange lights are wired. Now to cut up a Halloween garland from last year and glue it down as ground cover. After this, both hands were too busy to take a photo as I maneuvered the stage into place.

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Sky gets wired. I should have done this first, because I decided to drop most of the string down inside the pumpkin, behind and under the stage.

What I learned: Don’t crowd the field.

Raffle status: way too delicate to ship; however, I would be pleased to remove the mini tombstones and send them off.

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Light ’em up!

 

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Columbus C. Gough, Tema Cemetery

October 1 was my 50th birthday. It’s okay if you forgot, you can still send me presents.  To celebrate, the Spousal Unit and I did one of our favorite things: picked a direction and drove. There were lots of parks along 301 North, but I didn’t feel like stopping at them today. We didn’t find anything particularly quirky, but we did find four lovely cemeteries.

The SU is good at spotting cemeteries while I drive. Mind you, he doesn’t actually like cemeteries. He does this because he loves me.  The first one he spotted was Tema Cemetery, right along the highway, but small and unassuming.

A concrete alligator amongst the many offerings on a child's grave

A concrete alligator amongst the many offerings on a child’s grave

Praying hands by a temporary marker

Praying hands by a temporary marker

Tema was lovely, with the older graves in the latter half of the 19th century, as is the usual with most of the graveyards in this area.

These guys aren't going anywhere

These guys aren’t going anywhere

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Genteel decay

Sumterville was larger, with odd, unkempt tangles in the corners that contained surprisingly new graves. Telling was the sign asking for upkeep donations. I happen to like overgrown boneyards, so, no help from this corner.

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Sacred to the memory

Dr. Henry

Dr. Henry

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Just Marsh

There were many Marshes. One of my favorite names from the bunch: Aunt Piety Marsh.

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W.M. Cocowitch.

Most photographic memorials are more recent, but W.M. died in 1921, at the age of 23. If I were going to be any kind of witch, it would definitely be a cocowitch.

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Her right wing is at her feet

This is but one grave gift of many on another child’s grave.

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Nature leaves a rose

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A rock marks an unknown grave. Bet there’s a story here.

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Made beautiful by time

Twice marked

Twice marked, Dade City

The largest burying ground of our tour was Dade City. I, of course, gravitated to the west end, where the older stones were.

Rough-hewn memorial

Rough-hewn memorial

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“Darling, we miss thee.”

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Just peeking out

Several of the stones had sunken until just a few inches remained above ground.

If my name were Texas, I'd keep it after marriage, too

If my name were Texas, I’d keep it after marriage, too

I think he tried to get out

I think he tried to get out

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and Dade City Women’s Club President for 17 years

My favorite find was the last. We were on a long trek from 301 to I-75, wondering if we were ever going to find an onramp, when I spotted a street called Emmaus Cemetery. Clue to cemetery hunters: there’s usually a graveyard at the end of such streets, and often it takes some work to find. This one did. Just at the end, before a private residence, was a little-used track. Driving back, we found a grove with a small, private cemetery.

Emmaus

Emmaus

I love finding secret, little-used boneyards.

No, J.W. is not going to Hell

No, J.W. is not going to Hell

I was curious about this symbol. The broken chain symbolizes death, and the hand is God plucking the soul to himself.

Gorgeous garden spider

A spiny orb weaver keeps watch

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Few stones here were modern

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Slanting light means it’s time to go home

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Whenever I see an empty peanut-butter jar, I see the head shape of Frankenstein’s monster. Yeah, welcome to my brain.  I’ve seen several versions of the pb-jar luminaria on Pinterest, mostly with cute jack-o-lantern faces. I wanted to  upscale that a teensy bit, using my love for iconic movie monsters. I’m thinking of doing a whole set, but for now, you just get Frank. Yes, I know the monster didn’t have a name. It’s in honor of one of my favorite all-time animations. It’s short, click.

You will need:

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–Empty, clean, peanut-butter jar with lid
–Black Paint
–Decoupage glue of some sort. I use liquid matte medium from Golden
–Green tissue paper
–Glue gun
–Vellum or clear full-sheet stickers to print on
–Two twist-off plastic caps. I used water bottle caps.
–Corrugated cardboard scraps

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Paint the lid black. I’m using cheap craft paint. It was at this point I realized I was wearing one of my favorite shirts. I changed before disaster struck.

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While that’s drying, cover your jar with tissue paper. Using a brush, lay down a layer of medium. Put tissue on top, then go over the tissue with more medium. I like to tear rough pieces, and encourage wrinkles, as I like the texture. Avoid the lid threads.

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I took a picture of Boris Karloff’s classic portrayal, posterized it, and erased everything but the facial features. Would you like to use it? Go for it.  After some fiddling with sizes, it got printed on to clear label paper (Avery 8665–it’s kinda frosted, but I love the stuff). Because I have a lowly inkjet, I put a coat of matte sealer on the sticker before doing anything else.

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Cut around the face in a natural shape (no sharp edges) and attach to the jar. Don’t worry about the edges.

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They get covered with a little more tissue paper to blend them in.

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Trim the bottle caps at the top and bottom edge so they fit the pb jar better. I should have done this before I painted them, so I wouldn’t have to do so many touch-ups. Do as I say, not as I do. Trim, then paint.

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To create a gluing surface in the caps, I stacked and hot glued a couple bits of cardboard. Add your caps low on each side of Frank’s face, and you’re done! Stuff a few battery-powered candles in him and get spooky.

Raffle status: sure, I’ll ship Frank.

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During the Month of Spookdays, I’ll be featuring several of my fellow Cryptkeepers in links, in addition to the usual bits.

Now I Know What It Feels Like to Be Good

Now I Know What It Feels Like to Be Good, by Zombie Rust at Slash The Zombie

And we do mean rare.

Neat prop work at Seditiosus

Neat prop work at Seditiosus

 

Halloween is Grinch Night, full cartoon special. Via Darklinks.  For some reason, this keeps starting in the middle for me. If it does that for you, just drag it back to the beginning.

Gorgeous leather masks by Andrea Adams

Gorgeous leather masks by Andrea Adams

Adorable Halloween illustrations by Grelin Machin

Adorable Halloween illustrations by Grelin Machin

 

Nearly an hour of dark cinematic music from Everyday Goth.
EHAG-GUILD-EMPORIUM-Blog-Banner
–Via Church of Halloween
Spooky painted things from The Gnarled Branch

Spooky painted things from The Gnarled Branch

His flickr photostream is a lot of fun.

Everything for you and your home at Gorey Details. I could get lost here.

Everything for you and your home at Gorey Details. I could get lost here.

 

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When I saw La Pêche Fraîche’s Orange, Chocolate, and Vanilla Swirl Cookies, I had to give them a try. I shortened the name to be less descriptive and helpful. Mine have a little more orange color in real life, but not much. I’m okay with that, but there will be more food coloring next time. I halved her recipe, and still got six dozen cookies out of it. My measurements:

Vanilla Dough:

  • 1 stick butter
  • 1/2 cup sugar (I actually used a sugar substitute called Whey Low)
  • 3/4 tsp salt (she uses Kosher, which is coarser. I didn’t have it on hand, so I reduced the salt a little)
  • 1/2 egg
  • 1/2 tsp vanilla
  • 1-1/2 cups flour

Orange Dough:

  • 1 stick butter
  • 1/2 cup sugar
  • zest of one orange
  • orange food gel
  • 3/4 tsp salt
  • 1/2 egg
  • 1/2 tsp vanilla
  • 1-1/2 cups flour

Chocolate Dough:

  • 1 stick butter
  • 1/4 cup brown sugar, unpacked
  • 1/4 cup sugar
  • 3/4 tsp salt
  • 1/2 egg
  • 1-1/4 cups flour
  • 1/4 cup cocoa powder

To mix, I followed her directions to the letter, even setting a timer.

Orange zest and sugar

Orange zest and sugar. Pretty!

I noticed that the vanilla dough was not quite as moist as the orange, perhaps because of the oils in the zest.

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Mmm…chocolate

But then the chocolate was also extra-moist. *shrugs* All of the doughs were very workable.

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Vanilla getting wrapped for the fridge

I dutifully put the dough in the fridge for at least 30 minutes. I’m so glad I’ve become more patient in my old age.

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Patty cake. Sort of.

Here’s where I start to diverge from La Pêche Fraîche. Florida is very, very humid. At the moment, it’s been raining for a week, and is even more humid than usual. That means the dough is going to be somewhat sticky. Thing is, you don’t want to flour the board or roller, because you want those layers to stick together nicely. My solution was to put down a sheet of Press ‘n’ Seal, sticky side to the counter, and pat out the dough instead of rolling. This actually gave me a lot more control over the shape of the dough, so I was able to make neat rectangles. Patting out also made it much easier to push cracks together. The slabs were about 1/4″ thick, and measured about 6″ x 7″.

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Measuring up

Nice thing #1 about using the Press ‘n’ Seal: you can see if the slabs are the same size before you put them together.

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Nice thing #2: it’s really easy to pick up the top slab and lay it on the bottom slab, then peel off the Press ‘n’ Seal from the top.

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Roll a bit, pull the plastic out of the way. Easy!

Nice thing #3: the plastic makes it really easy to roll the slabs together. I was able to keep them tight with little effort, and I didn’t have to worry about cracks.

I used that same plastic to wrap the roll and put it back in the fridge for another 30 minutes.

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Once they come out, it’s a good idea to slice the whole roll (if you’re using all of it), then put the slices on the parchment-lined pan. That way the dough doesn’t get warm and squishy while you’re futzing with individual cookies.

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And I totally futzed, but only a little, neatening edges and making them more round. You’ll notice that mine are more swirls than spirals, like the original. This is probably because I did half batches, so my length of dough was shorter. I suppose I could have made the rectangle thinner and longer, creating fewer, but larger and swirlier cookies.

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The cookies have a delicate flavor, and aren’t too sweet. Definitely an adult treat. The texture is similar to shortbread. Yum.

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me n dolly grim

Happy October! As usual here at Spooky Moon, I’ll be presenting a month full of crafts and spooky links.

This year I’m trying something different. I’ll be posting inspiration pieces, and then showing you what I did with it.

Today’s inspiration comes from the fantastic Grim Visions:

Dolly from Grim Visions

Dolly from Grim Visions

While there will be detailed tutorials this month, this entry is more of a ride-along.  In part because I kept forgetting to take pictures. What I used:

  • Doll (from stash)
  • Celluclay
  • Cernit
  • Fabric, lace, and trim (from stash)
  • Fusible webbing
  • Acrylic paint

I didn’t want to make something life-sized, so I got out my Box O’ Dollies, and found something more my scale.

gv dolly 01

Off came her hair (mostly), and her wee head got covered in Celluclay.  As I was hollowing out the eyes, I discovered that the doll’s head got turned while I was covering her, as there was a bunch of hair at the bottom of the eye. Oops! I trimmed it down further and moved on.

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I have an almost-full bag of Celluclay, and as I worked, I remembered why. It’s like sculpting canned tuna.

Key shapes: The proportions are intentionally out of whack to increase scariness. There is almost no chin, and the mouth comes to a point. I didn’t think there was a nose at first, but looking at more pictures, there is a very simple, triangular shape.

The original doesn’t have a brow ridge, but I decided to put one on mine. I kept it very smooth, in keeping with the feel of the piece. Not adding too many details is hard! At least there are cracks on one side of the face. Here she is, all moist from the first smoothing.

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Here’s her initial paint job. I decided she wasn’t smooth enough, so I added a coat of medium matte gel over the top of the paint. After this, I again deviated from the inspiration by adding some antiquing.

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Next: teeth!  I did a lot of experimenting here, trying to make teeth out of various glues and bits of plastic. Nothing gave me enough control. I finally decided on Cernit, which is a very strong and flexible polymer clay, with great translucency. I didn’t need to paint the teeth. Even that had a little trouble with such tiny points, but I’m happy overall. They got stuck in with hot glue, again, after trying half a dozen different things. I’m going to call the strings a feature. To hide some of the glue line, she got lips, sort of. I think they add to the creep factor.

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Around this time, the Spousal Unit walked into my studio and saw my inspiration image on my worktable. “Holy crap, you’re not going to make something like that, are you?” I point to the drying bench. “Jesus Christ, why would you do that? You’re not right.”  This is how I knew I was on the right track.

Time to dress Ms. Grim. I had an old lace something-or-other I’d picked up at a garage sale. It had a liner, and nice trim.

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I made a pattern, of sorts. I have never made a doll dress, or a dress of any kind. I have certainly never tried to make a pattern.  I had planned on sewing, but I realized the hems I needed were too tiny for my skills. So I used fusible webbing. Then I thought, hey, let’s use fusible webbing on everything!

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I did end up making a few stitches by hand to reinforce things, but the webbing worked pretty well. As for the pattern, well, the results were…interesting. Note there’s no picture of the misshapen under dress.

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After the fusible webbing was no longer helpful, the hot glue gun came out. I love my hot glue gun.

A bit more lace, a bit more trim, and Ms. Grim was ready for her close up. No stand, I just stuck her foot in a glass bottle.

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I think she’s at least as creepy as the original. Sure, the dress is inept, but those teeth are pretty great.  Dolly Grim says: “Sweet dreams.”

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What I learned: glue the doll head in place first.

Raffle status: Yes, despite it being kinda delicate, Dolly Grim will be in the raffle. So you can see the, er, “dress” up close.

My most popular project

My most popular project

As those who follow me on facebook know, I started this year’s Month of Spookdays back in August. I’ve been a little meany, dropping teasers into my Monday art posts here. Tomorrow, you get to start seeing the fruits of my labors. I had some goals this year:

  • No new supplies. I have a studio full of wonderful odds and ends, and I wanted to dig into them for this MoS. If I bought something for a project, I’ll note it; otherwise, you can assume everything is from my stash.
  • Stretch. I am drawing inspiration from others this year, so I can stretch my skills and do new things. Not every project will be a big one, but I hope each one teaches me something new.

Craft projects will be interspersed with haunt visits and such. I’d especially like to do some spooky cooking. Welcome to the Haunting Season, and happy Month of Spookdays!

lanterns

Sooon

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I tried, but I could not find a source or artist for this wonderful gif. If you know, please pass it along?

Here’s your last teaser before the Month of Spookdays begins!

sb tease